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Everything about this case is minimal. Obviously, the first thing your eye is drawn to is just how thin the case itself is. It legitimately feels no thicker than a sheet of paper, but it forms perfectly around your phone’s body. It’s almost like a full-body skin, except you don’t have to deal with hair dryers and microfibers to install it. Every cutout is very small and very precise, and there’s no lip on the front. The USB-C port’s cutout is only slightly larger than the port itself, and the same is true for the power and volume buttons. This works because of how thin the case is; even if you have a USB Type-C cable with a larger end, it’ll still fit over the case.

Arte Povera isn’t the only ghost of midcentury modernism inhabiting the project — there’s the twee cafe, with its Formica furniture and veneered wood paneling; the new tower restaurant, with its furniture bought at auction from New York’s Four Seasons; the cinema, with chairs imported from ’70s-era Milanese movie houses; and the sun-baked, deeply shadowed squares, conjuring up de Chirico.

Combined with a comprehensive restraints system that includes six airbags4, and a suite of advanced driver assistance systems including Autonomous Emergency Braking, Adaptive Cruise Control with Queue-Assist and an Adaptive Speed Limiter, the Range Rover Velar integrates the latest automotive technology2.

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Now, the once-rubble-filled room is complete with a polished concrete floor, and a 34-foot-long wood bar top. There are exposed beams and brick walls, metal stools, and wood-and-brick shelving behind the bar.

Cutouts are pretty good – the fingerprint sensor is perfectly accessible, the camera isn’t blocked, and there’s adequate space for a USB-C cable on the bottom as long as it’s not massive. The lip is adequate, though a glass screen protector might end up being thicker than it. The volume buttons are tactile, if a bit too recessed. The power button, however, ruins the whole case for me. UAG chose to put a flap about twice as long as the actual power button, and it’s hinged in the center. That means that you have to press directly on the center of the button to be sure that it’ll turn your screen on and off. Press too far up or down, and the button simply won’t activate unless you push really, really hard. It’s an infuriating design, and I’d say that about 50% of the time I press the power button, I’m greeted with nothing. The case itself is also harder than it should be to install and remove.

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Hours after the joint committee’s vote, Womack and U.S. Rep. John Yarmuth, D-Ky., introduced the Bipartisan Budget and Appropriations Process Reform Act of 2018. It contains "the Joint Select Committee’s bipartisan recommendations relevant to the House of Representatives," the lawmakers said in a joint news release.

It was a daunting process, but one that Meyers took in stride. Those panic moments—and their sigh-of-relief resolutions—have now become lore, embedded into the brick and concrete and exposed beams of the tap house.

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Big mistake. Since there’s no adhesive on the screen area, there was a giant gap between the screen and the protector. That completely ruins touch sensitivity, and I virtually had to push down on the screen to use the phone. I started to miss letters while typing and just have things not activate when I touched them. However, I still wanted to keep it on since I didn’t want to scratch my screen up, and I thought that perhaps I’d get used to it. That didn’t happen. I tried to keep it on for the sake of keeping my screen mint, but after about four days I took it off: I was just pissed off that I couldn’t even use my screen properly. While using the phone in the rain, I even discovered that water had seeped underneath. After the water was removed and the screen dried, I was left with a noticeable mark.

“They play together, they work together, and they protect each other,” Robert Brunner, the former Apple design chief, later said of the team. At one of our meetings, Ive reminded me of a short article that Bono wrote about him in Time. It said, “To watch him with his workmates in the holy of holies, Apple’s design lab, or on a night out is to observe a very rare esprit de corps. They love their boss, and he loves them. What the competitors don’t seem to understand is you cannot get people this smart to work this hard just for money.” Ive, Bono’s friend, described these comments as “shockingly perceptive”—which is an unusual response to praise, even shared praise. But the strength, and the professional advantage, of the team’s solidarity is one of Ive’s recurring themes. He was determined to counter “spiteful,” if infrequent, claims that the studio’s spirit is not as collegial as it looks. Doug Satzger, who left Apple in 2008, and now runs industrial design at Intel, told Fast Company that “Jony has a very political agenda when it comes to his positioning within the company. He would tell me, ‘Anytime you meet with Steve, I gotta know.’ ” (Satzger declined to comment.)