Internal wall and ceiling panels – Easygroove Random by Easycraft Australia Pty Ltd | Wood Grain Pvc Ceiling

The molding process for the helmet shells and the face shields is very similar, with only a different shape mold to make the visors.

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Alan Dye later described to me the “pivotal moment” when he and Ive decided “to avoid the edge of the screen as much as possible.” This was part of an overarching ambition to blur boundaries between software and hardware. (It’s no coincidence, Dye noted, that the “rounded squareness” of the watch’s custom typeface mirrors the watch’s body.) The studio stopped short of banishing screen edges altogether, Dye said, “when we discovered we loved looking at photos on the watch, and you can’t not show the edge of a photo.” He laughed. “Don’t get me wrong, we tried! I could list a number of terrible ideas.” They attempted to blur edges, and squeeze images into circles. There was “a lot of vignetting”—the darkening of a photograph’s corners. “In the end, it was maybe putting ourselves first,” he said.

Three years ago, Ive’s responsibilities expanded to include software as well as hardware. He took charge of what Apple calls Human Interface: typefaces, icons, swipes, taps. In 2013, the company released the iOS7 operating system for the iPhone and the iPad, and the overhaul included a new range of sounds for incoming calls, texts, and e-mails. Before, the alerts had mostly a strained, jokey relationship with the real world, as suggested by such names as Duck, Choo Choo, and Doorbell. iOS7 introduced refined snatches of electronica created, in part, by Hugo Verweij, a Dutch sound designer who, before being hired by Ive, had a Web site selling “minimalist ringtones.” (On his blog, Verweij had expressed bafflement with Apple’s “loud and crappy” sounds.) Some Apple customers may have found the new tones unappealing—too modish, or too European—and they may have switched back to the goofy, “classic” sounds that had been relegated to a lower-rung menu. But others may have had the thought, or the half-thought, that the sounds made the phones more coherent—a more natural accompaniment to glass, aluminum, and Helvetica Neue.

This two story, three bedroom, four bath(2 – full, 2 – half) home is immaculate and has been meticulously maintained. The main floor master suite has a spacious master bath and walk-in closet. The main floor has a family room with gas fireplace, laundry room, large kitchen/breakfast area and quartz countertops and plenty of cabinet space. The glassed in sunroom is off the kitchen and overlooks the fenced backyard and private patio area. The upper level has two bedrooms, a full bath and a loft area. The lower level finished space is great for entertaining and includes a very nice bar and half bath. For your storage or workshop needs the unfinished area provides plenty of room for your needs. Other features include a new roof(2017), security system, partial home backup generator, whole house surge protector, new garage door with opener, newer furnace and a/c, and an in ground propane tank for the fireplace and BBQ.

The third level features a dramatic landing with window seat overlooking the front gardens. It includes a fifth bedroom with en-suite bath, that would be ideal for in-law, guest, or nanny accommodations, as well as a home gym. The family room is located above the attached garage.

I asked Jeff Williams, the senior vice-president, if the Apple Watch seemed more purely Ive’s than previous company products. After a silence of twenty-five seconds, during which Apple made fifty thousand dollars in profit, he said, “Yes.”

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Oh, and fun fact: the case is mislabeled as ‘Legion’ inside. Caseology, you should probably fix that.

the fukushima residence is designed as a series of stepped concrete volumes, resulting in overhead gaps to offer open-air interior courtyards.

While companies like Spigen and Caseology produce cases with more traditional designs, Ghostek’s theme seems to be selling cases that deviate from the norm. Take the Atomic, for example; it combines a metal frame, a clear back, and independent buttons into one package. But whether or not this uniqueness amounts to anything is another question.

Cole, R. & Shulman, H. L. Bubble Departure Diameters at Subatmospheric Pressures. Chem. Eng. Prog. Symp. Ser. 62, 6–16 (1966).