McLaren 675LT Spider roofless up top, party in the back | Lexan Polycarbonate Embossed Sheet

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The enhancement mechanisms proposed here are inherently linked to the wavelength of the spatial variations in surface superheat, P, as illustrated in Fig. 1. To probe the effect of this wavelength on boiling performance, the pitch between epoxy divisions has been systematically varied. The percent increase in CHF and HTC of the bi-conductive surfaces relative to bare copper is plotted in Fig. 5 against the superheat wavelength, P, normalized by the capillary length, λC. The capillary length is the characteristic length scale of an interface subject to both surface tension and gravitational forces, and for a bubble is given by

These cool photographs are not marketing for the building (that will be handled by others), nor are they a design tool. They are relics of a ritual. They document a separation. They depict the final state of the building before it is handed over to its owners, a kind of pre-occupancy survey. In this sense, they are mementos for the architects alone. Manifesting a particularly architectural way of visualizing space, they reflect what the architects wish to record of their own work. That they are then available to the public on websites is almost an afterthought, as evidence of having completed (or in German, vollendet, perfected) a project. The oblique relationship between the photographs and their audience makes them particularly interesting. Their uncanny homogenity is not rule based, nor determined by market pressures; it is close to spontaneous, a kind of symptom. Lacking any urgent function, their individual emptiness and collective form reveals to the viewer what they had anticipated of photography, or rather, reveals expectations by denying them. It was perhaps this capacity to be both designed and symptomatic that have made the images, and subsequently the Swiss Pavilion itself, so unsettling. The Swiss Pavilion can be understood as a built response to this research archive of images. This is not the only way to read the pavilion and its installation, but it is one way. In Svizzera 240, the viewer enters a space that looks just like one of the photographs. The visitor walks through rooms in which proportions were preserved, but not the scale, so that the visitor became alternately too big or too small for the rooms that they were in. Like an act of courtesy that unintentionally reveals an ulterior motive, or a film set seen from behind, the Swiss Pavilion quietly and unpolemically reveals both new levels of convention, even automatism, within design, as well as new domains of creative freedom.

This is a sample EPS liner showing three different EPS densities used in different parts of the liner to help control the forces that are incurred in a crash. The white area illustrates the most obvious difference between a different density used in the top of the liner compared to the sides:

Fabulous find in the highly sought after Townes at Thousand Oaks! Three levels of beautiful living space. Custom, luxury architectural details at every turn. Walk through the front door, step into the lovely foyer, and be greeted with elegant, high-end real wood parquet flooring and a stunning custom staircase. Wows guests. Spacious, open main level is perfect for entertaining and easy living. Natural light streams in everywhere: big, custom windows abound. Huge master suite conveniently sits on the main level and is complete with his and hers vanities and jetted soaker tub! Big eat-in kitchen with charming grilling deck. Finished lower level with gorgeous exposed brick fireplace wall, wet bar and several finished rooms that can be used as sleeping areas, office space, whatever you can dream up. Large deck off the living room has a great view, can see the lake! This home comes with significant walk-in equity. Get into luxury living on a budget and renovate as you desire! Tour it today

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Acoustical testing by Metropolitan following installation of the ceiling panels validated the choice of treatments. Reverberation time dropped an average of 56% in the eight spaces that were tested, including a 79% drop in one of the classrooms and a 64% drop in one of the studios.

We’re still waiting on Incipio to respond to our request for review units, but in the meantime, Google sent over the only Incipio case it carries on the Google Store: the Oh Joy! x Incipio. Incipio sells these cases with different patterns under several monikers, but they all feature the same basic clear case base that you see here. It’s a good case, even if it isn’t the most feature-filled.

All that is well and good, but my favorite part of the case is the kickstand. It’s easy to open (as long as you have at least some fingernails) and can be set up at 110-degree and 150-degree angles. For such a simple little plastic addition, it makes a huge difference for multimedia consumption. These need to be on every case. Speaking of the kickstand, there is some small ‘Spigen’ branding on it… and under it… and Spigen’s slogan, ‘Something You Want!’ on the bottom of the kickstand. The only other bit of branding is some small ‘Tough Armor’ text on the right side.

According to Xplore, hard handle XPAD versions will run about $100 (plus the optional scanner in the handle) more than pure tablet versions. As stated above, the handle isn’t just a bolt-on; it’s an integrated housing design that also has a forward-facing speaker and two additional programmable function buttons.

The 15-term lawmaker and three of her Democratic colleagues voted "present" — a move that prevented the package from receiving enough votes to be adopted and forwarded to the House and Senate.

The Parallax isn’t my favorite Caseology case, but it’s still a good one. It’s a full $2 more expensive than the Vault (which will be mentioned below) and adds some niceties, including a more interesting texture, several color options, and more. It reminds me a bit of Spigen’s Neo Hybrid line thanks to the separable frame, but I’d argue that these cases are a better buy.