Moving onto the whole ‘Live’ aspect, my unit is the Google Earth ‘Rock’ dual-layer model. Setup is pretty interesting. After installing the ‘Live Case’ app from the Play Store and logging into your Google account, you’re told to grab the four-digit code that’s printed inside the case (on both the polycarbonate and TPU layers, in the dual-layer version’s case). Enter this code, which presumably identifies what kind of case you purchased exactly, and you’re in.
Use the online search to find your destination1, and the system can also tell you if you have enough fuel to complete the journey. If not, you will be alerted and filling stations on the route that are within range will be shown on the map – tapping on one is all it takes to set it as a waypoint. Fuel prices can also be shown, and even the filling station brand.
Is it art, or is it light? With Nanoleaf, it’s a little bit of both, and these panels make it possible for you to connect squares of light into something clever and functional and powerful all at once.
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You might be wondering how exactly the Kate Spade case differs from the Oh Joy! one. According to the Google Store product pages, while the Incipio-branded case only uses TPU, the Kate Spade one uses TPU, polycarbonate, and PET. I can see where the polycarbonate comes into play, as the back of the Kate Spade case is harder and much less flexible than the Oh Joy!’s, but I’m not sure where the PET factors in. As for measurements, the Kate Spade case is ever so slightly wider on both the Pixel 2 and 2 XL, but it’s also thinner.
If you have Google Earth installed, a simple double-tap on the daily wallpaper will open Earth and reveal what exactly is being depicted, at least for the Google Earth case. There are 1500 of these wallpapers, so you’ll have a unique wallpaper every day for about four years. And let’s be honest: your Pixel 2 XL is going to be long out of your hands at that point.
The merger of fine and casual dining seems to show no signs of abating. As a result, even moderately quiet restaurants have become few and far between. Things have gotten so bad, there’s even an app for helping potential diners find quieter places to eat. The culinary establishment once aimed to dismantle the stuffiness and high cost of dining out by blurring the line between casual and fine dining, eliminating classist dress codes, and make dining a more collective experience. But ironically, that democratization of eating out has produced a new and more hidden tyranny: making people tolerate unhealthy, distracting noise for good food—and then duping them into spending more, drinking more (along with the risk of vulnerable situations that can result from alcohol), and shouting over the din to socialize. By comparison, the worst thing that could happen at one of the upscale establishments of old was using the wrong fork or running afoul of the dress code.
Apple’s designers still visit factories, but a final prototype part from Cupertino is not the start of a conversation; it’s the part. Ive gave me a tour of the area in the studio behind the glass, where, beyond the milling machines, there’s also a color lab. He said, “Years ago, you thought you’d fulfilled your responsibility, as a designer, if you could accurately define the form”—in drawings or a model. Now, Ive said, “our deliverable just begins with form.” The data that Apple now sends to a manufacturer include a tool’s tracking path, speed, and appropriate level of lubricant. Ive noted that the studio’s prototyping expertise creates the theoretical risk of beautiful dumb ideas. “There are some people who can draw something that’s fundamentally ugly, but draw it—hint at detailing—in such a way that it’s seductive.” Three-dimensional models could be equally misleading. “What we try to do is see beyond our ability to implement, beyond our ability to detail.”
Everything about this case is minimal. Obviously, the first thing your eye is drawn to is just how thin the case itself is. It legitimately feels no thicker than a sheet of paper, but it forms perfectly around your phone’s body. It’s almost like a full-body skin, except you don’t have to deal with hair dryers and microfibers to install it. Every cutout is very small and very precise, and there’s no lip on the front. The USB-C port’s cutout is only slightly larger than the port itself, and the same is true for the power and volume buttons. This works because of how thin the case is; even if you have a USB Type-C cable with a larger end, it’ll still fit over the case.
Nekoosa now offers a complete range of thicknesses and sizes in the Synaps ® portfolio including 5, 8, 10, 12, and 14 mil and sheets ranging from 8.5” X 11” to 14.33” X 20.5”.
And in many cases, items such as these — and more — are tossed into garages in such volume that our cars end up being parked outside.
The suspension systems also offer outstanding wheel articulation and ensure that the Velar can handle a variety of terrains2. With an approach angle of up to 24.5 degrees, breakover angle of up to 20.3 degrees, a departure angle of up to 27.0 degrees, and a maximum wading depth of 25.6-in/650mm (23.6-in/600mm with coil spring suspension) the Range Rover Velar offers exemplary off-road capability.
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